Jon Simmons' lyrics are catchier and more introspective, which he pours into melody through his almost monotonous but always identifiable croons. It is the band's most well-written material to date, transcending other alt-rock bands through evolution. The Things We Think We're Missing is a huge step for Balance & Composure. It's odd to hear such stripped down song after such stratosphere destroying tracks like "Reflection." The album also lacks the noticeable straight-up heavy side the band is known for producing, such as with "Rope," "I Tore You Apart In My Head" and "Patience," but at the same time it's great to see the band straying from the hard rock elements of their last record (if you forgive the thrown-in screams at the end of "Notice Me.") The acoustic track "Dirty Head" is quite dry and, honestly, abrasive. "Ella" is a short interlude that could have benefited from elaboration, while "Cut Me Open" could have been truncated a bit. With all of the high points, it's hard to find lows to complain about, especially when the album is so refined. "When I Come Undone" is another highlight, characterized by jungle beats and a catchy chorus as Jon Simmons croons "Can't you see me crumbling/Aren't you feeling on my heartbeat/I wanna hear you say/when I call, pick me up when I come undone/When you're healthy, we'll fill an empty space." Closer "Enemy" is a complex bookend, combining atmosphere and hard rock to create a popcorn ball of sweet harmonies laced with the salty aftertaste of a bitter revelation. Stuck somewhere between the worlds of shoegaze and post-hardcore, it's the epitome of all that Balance & Composure's sound has become in its purest form. "Reflection," one of the highlights of The Things We Think We're Missing, is a dreamy anthem. "Notice Me" has a grungy, bare-bones guitar riff that weaves into the jingles and swaying vibes of the verses, while the almost-ballad of "I'm Swimming" bounces between ethereal clean picking and distorted chorus backings. This heavy-meets-leisure approach continues throughout the album. Despite the mid-tempo launch and the song's relative heaviness, it still feels accessible and is never overwhelming. "Back of Your Head" begins with a somber, hazy intro before launching headfirst into a warm, groovy rocker. Opener "Parachutes" sets the album's sound in motion, recalling the band's split-era headbangers but showcasing more finesse and focus. The sound is crisp, with clear depth thanks to Will Yip's tremendous production.
Each song is intricately crafted like a fine microbrew, with subtleties and nuances echoing and buzzing behind the stadium quality drums and roaring guitars. The Doylestown, PA five-piece have churned out 13 new tracks for their second LP.
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